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Vinyl: The Appeal

Upon getting just my third vinyl record- Yes, I've fallen victim to the latest vinyl comeback- I get it. I get the appeal.

Let's clarify: I am currently enjoying the genius that is The Smiths, The Queen Is Dead.

The Smiths, Arcade Fire, Mumford & Sons

After periodically researching article upon article on why vinyl is better, or if it even is better, I was skeptical. Am I just another sucker for the latest indie trend? Are the marketing moguls laughing at me?

None of my research, though, explained just what it is about vinyl that, simply put, rocks.

Sure, it sweeps you up in the process itself of slipping the vinyl out of the case, blowing off the dust, placing the needle just so. The intermittent crackle between songs.

A record gives my most prized albums a tangibility- I can touch, feel, look at the music that I so love. I can watch it turn and magically spit out those songs I've only known until now as a file on a computer.

Beyond all of this, though, there's really nothing you can read about records that will convince you more than putting your favorite album onto the turntable and listening to it through.

There's no such thing as "random" or skipping through a song. Listen to the album, song by song, and you'll get it. Like I do now.

Bigmouth strikes again
And I've got no right to take my place
With the human race
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The ART Bus Saga: Episode 1

It's been long a while since I've blogged, and come to think of it this probably shouldn't be named "Mi vida en España" anymore. This sad realization is, admittedly, why I haven't revisited my blog since leaving Spain a year ago in June. Alas, all good things pass.

I like to think have more adventure in store for me yet.

My current adventure: Commuting on the ART bus. Route 53, from East Falls Church to Ballston Metro, specifically.

Quick update: I work in Washington DC and live in Arlington (with my father). Hardly the dream. There is NO siesta.

D.C. Bus stop. 3 am. Friday.

I've made a lot of what we'll call "acquaintances" on my bus route to and from work each morning. Today's encounter is not with one of those.

Standing waiting for the bus, chatting on the phone to pass the time. I sense someone standing very close behind me. The figure places their hand on my waist, pauses there, says hello. I turn, fully expecting to see my cousin who lives nearby or some random high school friend.

To my chagrin, it is a tiny, hairy, dirty little man. Smiling at up at me.

"You... You stand by me? Keep me warm tonight?," he whines, with a strong latin american accent.

Those teeth. So yellow, plaque-covered. That thick plaid coat. Why did I think it was someone I knew! All I can think is, here we go again. My commute is full of surprises.

What I've learned from journeying on the ART bus is that you cannot react with insolence. It takes a certain balance of composure, patience, and politeness. Oh, and firmness. Be firm. Tell this small, perverted Hispanic man to back the hell off! Which is what I did, just with a hint of those aforementioned qualities.

Until I saw him, after I swiftly walked as far away as possible, target another helpless victim. The approach from behind. The few seconds until she realizes he is standing just an inch behind her. That smirk!

"BACK OFF. That is INAPPROPRIATE and you know it!" - Me, without any hint of patience or politeness.

Firm, I say! Sometimes you have to forgo restraint. I guess I learned that much tonight. However, I still found myself wondering if he was just a nice guy, a little drunk. Playing a prank. Regardless, sometimes there is just someone along the commute that you have to shut down.

It's not the 30 year old with Cerebral Palsy that, during our three minute walk helping her carry suitcases full of groceries home, mentions every bit she can blurt out about her night blindness, history of abuse, fear of crowds, grandmother dying and seizure-ridden past. "Thirteen years seizure-free!"

It's not the kid that graduated years ahead of me but seemingly made a hobby of memorizing high school yearbooks and, upon seeing me on the bus each morning inevitably yells "MARSH!" and proceeds to ask my thoughts about the construction plans for an elementary school on my middle school's property. I don't give a rat's ass, but I'll humor him.

It is, however the man from this episode of The ART Bus Saga. He cannot come onto my route, departing form Ballston Metro at 6:30pm Monday through Friday.

The bus driver rushes me onto the bus, away from my "friend." Recently he's started passing my stop to bring me closer to where he thinks I live, flashes the lights signalling it's safe to cross. He gets it mostly right.

Best part of the night.


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"Berlin es la puta madre"

"Berlin es la puta madre," as written a collage in an art studio on the top floor of Kunsthaus Tacheles, in its literal translation is not how I actually feel about the city. However, from living in Spain I know that this rather off-putting phrase in fact encapsulates my love for Germany's capital city- quite ironically, in a Spanish phrase. In other words, Berlin is the bitch mother. Wait! What I mean is... Berlin is simply- the best.
Eddie and I set off for Berlin during the puente in early December. Puente literally translates to "bridge," and refers to when we get a few days off in a week, with one day in-between the days off, and"make the bridge" by taking off a day hence getting more vacation time. It's a pretty common thing to do here in Spain, believe it or not (Wait... Spaniards putting vacation above work? What!).
We arrived at the airport, breathed in the crisp (no, freezing) German air, and made our way to the Circus Hostel. Mind you, this was not a normal, run-of-the-mill hostel. Nay, I will attest to the Circus Hostel, located at Rosenthaler Platz not far from Alexander Platz, as sitting at the top of an impressive list of Berlin hostels. Neat decor, helpful and friendly staff, new and clean bathrooms with plenty of showers, comfortable bedding, bike rentals, and a bar downstairs complete with a shrine to "The Hoff" (he's a pretty big deal over there), a sarcastic but adorable bartender, Mario Kart, and most importantly boots of beer. Beyond all of that, I'd say Eddie and I were luckiest when it came to our roommates.
It's sort of a funny story, but maybe it's one of those "ya had to be there for." Room 213 had ten beds. Eddie and I were on a bunk- which managed to get us labeled as a couple pretty early on. Anyway, one of the nights when Eddie and I were taking it easy- probably because we had a city tour in the morning- two very large Dutchmen wander in at around one in the morning and make all sorts of ruckus. They're obviously plastered, and proceed to talk loudly about who knows what. The funny thing about Dutch is that, to me, it sounds like drunken English. So, the combination of them actually being drunk and fumbling around while speaking gobbly-gook English got me to thinking they were completely wasted. Well that, and the fact that the one on the top bunk started vomiting in his bed.

The whole room proceeded to wake up, the nice girls that were sleeping there requested to move rooms, and the rest of us just started giggling when we realized that the dude was not in fact, though it might have sounded like it, dying. His friend made sure of that- by standing up and shouting, "Dude! Get it together! Dude!," and quickly proceeding to fall back to sleep. Pretty effective, I'd say. He's alive.

I guess this isn't the best way to back up my claim that we had great roommates, but it's true. Despite... that "incident"... those two- now I'll refer to them by their names, Roderick and Joost (pronounced like "toast" with a "Y")- turned out to be pretty cool guys just looking to have fun like the rest of us. Berlin got the better of them that night, as it did to everyone at one point or another. For me it was the "das boot" night. C'est la vie.

Before we get to the juicy details of Berlin's nightlife, which is most notably known for its exclusive underground techno scene, Eddie and I partook in our fair share of honest day-time activities. To begin our trip, Eddie and I went on a walking tour of the city in which our energetic German-Australian guide took us to the obligatory tourist attractions. This includes but isn't limited to (being that a good chunk of time has passed since early December) the Brandenburg Gate, Potzdamer Platz, "Museum Island," part of the Berlin Wall, Checkpoint Charlie, and Hitler's former hideout-turned-parking-lot (fitting).
For me one of the most impressive stops on the tour was the Holocaust Memorial. Architect Peter Eisenman's design for the monument takes up an entire city block in coveted land just near the Brandenburg Gate. An entire block full of cement rectangular blocks of varying heights and spacing. Sounds unimpressive, but the design is such that as you walk towards the center of the memorial the blocks gradually become higher and closer together, evoking an overwhelming sense of disorientation and confusion- which, I would assume, was the point. A really neat memorial to check out- and for me one of the most unique in its ability to evoke such strong emotions in an interactive setup. I got this feeling more than once, though, the second being actually visiting the Sachsenhausen concentration camp later in the week. Eerie stuff, people. Reminders of a grisly past.
We didn't see the Reichstag Building on the tour, but Eddie's dad set us up with an exclusive tour of the building later in the week.
Our tour guide was actually from Bonn, where my dad went to high school, and knew the "Crusaders" (the school's mascot). I would like to say we really hit it off after finding that connection, but no we aren't bff's.
If you're planning on going to Berlin in December, know this: It's more or less consistently freezing and gets dark before 4p.m. While this has the potential to be overwhelmingly depressing, Berlin has a pretty great remedy: Christmas markets with an endless supply of glühwein, pretzels and bratwurst. Glühwein, or spiced hot wine (sometimes with a dash of rum), is unbeatable in its ability to warm you up. Just thinking about wrapping my glove-covered hands over a little clay mug of glühwein; the steam thawing my nose and chin, makes me warm inside. All the twinkly lights, christmas trees and vendors selling all sorts of things- from traditional German wooden trinkets to candied nuts and licorice- put you right in that Christmas spirit.
You would think that a bike-ride, with the brisk Berlin air flowing in your face, wouldn't be a great idea in Winter. However, it was the best idea of the trip. In fact, I want to ride bikes in every city I visit from now on (as Michelle can testify in our planning for Portugal this month-- The hostel must rent bikes!). One day, Eddie and I rented two bikes from the front desk and were on our way to discover the hidden gems of Berlin. Well, after a quick pit-stop to our favorite bagel shop down the street. Okay, now we're on our way. First, we rode to the Brandenburg gate, Eddie stopped to take a picture with a "German soldier" (an Italian actor), and then rode on to frolic in Berlin's "Central Park," the Tiergarten. Unfortunately, coming back through the park in the dark (if you recall, this wouldn't have been that late) was reminiscent of a scene from a slasher film. Spooky lanterns line the gravel walkway through dark, indistinguishable expanses. Was that a man? I hope not. We rode fast.
By day we rode to Opa's old stomping grounds. My dad's family lived in Berlin for ten years, and I would have loved to explore the city with them. But, Eddie sufficed ;). In Opa's e-mail, he writes:
"My office was in Fasanenstrasse (#61), not far from the Kurfürstendamm, which was ideal. I hope you'll spend a lot of time on the Kurfürstendamm and in the general area. That's where the great shops are as well as good restaurants. (Want a REAL German meal? Try Hardke's on Meinekestrasse just off the Kurfürstendamm.) That was where we journalists used to meet a couple of times a week. In the same area try Die Schildkröte and the Paris Bar. I miss those places."
We went to #61 Fasanenstrasse, now home to a jewelry store, and explored the surrounding area. Unfortunately, Hardtke's doesn't exist anymore. Less

unfortunate was that a "Currywurst" restaurant was in it's stead. I myself had never heard of currywurst, which was all the rage in Berlin. I of course come home to find that Derick, my dad and Opa are all currywurst fiends. Why was I not informed? In any event, bratwurst with ketchup and curry sprinkled on top is pretty great. You should try it.

To wrap up our night (well, still technically day), Eddie and I attempted to have a night of artistic reflection and appreciation. Naturally, this led us to "Museum Island."
Out of the nearly 200 museums and galleries in Berlin, we figured the oldest museum- the Altes- was a safe bet. However, this only got us stuck viewing room after room of ancient Greek and Roman statues. After being in Italy, I've had my fair share of limestone, armless busts of ancient Romans, and wasn't particularly eager to see more in Berlin, Germany. However, there's something to be said about the room chock-full of artifacts with phallic imagery. Those Romans were... to put it concisely, perverted. Made for more than a few inappropriate giggles, though.
Continuing our artistic journey, the following day we went to a more vibrant artistic scene more reflective of Berlin's rich culture. Kunsthaus Tacheles is an art center in a run-down, grafitti-covered building that at first... breath... smells strongly of human urine. Sounds intriguing, no?

However, walk past the odor upstairs and you'll find a number of art studios with artists working and selling their art. Some of it completely went past my head, but others I found really impressive. For example, there was one young man that had a room-full of various collages for purchase. His collages usually had some sort of reference Berlin and its distinct culture, often with something a little shocking to capture the viewer's attention (points to the title of this post). It's that art, the art that isn't your ordinary "museum" art, that I really loved seeing.

Berlin's Graffiti is endless, and good: "Movement for Hope"
That's about it for the day-time festivities. Let's move on to night. The first night Eddie and I arrived, we were rearing to try some German food.

That led us on a wild goose-chase to find a restaurant that was recommended to us. It was worth the hassle for the delicious, traditional German meal: Bratwurst, sauerkraut with mashed potatoes, blaukraut (red cabbage). Oh, and don't forget the beer. A big, cold Dunkel beer (Dark beer). Heaven! Then we went to a German beer-hall and drank a few while watching older German couples dance and be merry. Is this real life?
Fast forward to a few nights later, and I was onto more advanced stuff. Two words: Das Boot. Let this go on the record that not only did I finish that sucker, but I beat Eddie. We had the only two glass boots left unbroken in the Circus Hostel bar, and were determined to do them justice. I can say now that I wasn't expecting... that. much. beer. But perseverance overcame fear, and I finished the boot. Because of said perseverance, however, I really couldn't tell you much more about that night other than that we went to a bar called "White Trash" which, to me, rather resemble the Shire (*inside joke meant for... anyone who was there that night).
The next night, Eddie and I graduated from "White Trash" to "Suicide Circus." This is not a joke. Suicide Circus is the name of an underground techno club in Berlin, and only now am I suspicious that Berlin has a thing for circuses. Word from the wise: Finding underground clubs in Berlin ain't easy, oh- and don't dress too nicely. Eddie, Roderick, Joost, Keiran two Irish people (Names, anyone? Wait! Connor?), and I scoured the streets of Berlin for anything resembling an industrial building that could be a club. We were turned away (thank God) from one such club because it was "goth" night. Then we found ourselves in what I'm pretty sure was a gay bar. And only after wandering around what looked like an abandoned industrial park did we make it to... dun dun dunnn... Suicide Circus (which I'm told is the most famous underground club in Berlin?). Fog machines (wait, or was that just smoke), strobe lights, hardcore techno beats and just about everyone looking like they're on... something... and Suicide Circus lived up to it's name.


A few nights before, Eddie and I had asked the girl at the front desk what time clubs in Berlin closed. Her response: 8am. Okay, we think, not bad... 8am on Sunday. But no, she meant 8am Monday. Berlin clubs stay open all weekend long. I mean, you can go to a club at 12pm on Sunday if you wanted. Eddie and I were like fish-outta-water.

Well, Eddie and I didn't really have the option of dancing all day, all night (song reference). Did I mention that we had to catch a bus to the airport at 6am? And that we were at Suicide Circus until... say, 5am, until we realized we should probably scoot out of there? Well, we might not have been super intelligent travelers that night- but we were determined to make the most of our last night in the greatest city ever. And I stand by our decision!

You'll have to ask Eddie if he does, though, because he fell asleep and missed the flight from Berlin to Frankfurt. And, wait for it... he was sleeping at the gate when he missed it. Now, I realize this can easily reflect poorly on me as the traveling companion, but cut me some slack- I was completely out of it, and woke that kid up twice before boarding and immediately conking out.

A good story to end a trip full of great ones. Room 213 for life!
Sail away, sail away sail away...
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"No soy guiri, soy de Baza"



"Those who dream by day are cognizant of many things that escape those who dream only at night”

- Edgar Allen Poe, as found on my sugar packet at d'Platos (in Spanish). My weekly dose of sugar packet wisdom.



Yes, readers, I realize it's been a while since my last post. Well, more than a while. However, if I had all the time in the world to update my blog I wouldn't have much to write about, would I? I’m not going to lie, winter break threw me off a bit. But, to catch you up a bit...



The Spanish are very proud of their home-towns, or “pueblos,” and surely won’t miss the chance to tell you that they are not in fact from Granada, but hail from a “pueblo” outside the city. Their evident attachment to their town, combined with a strong sense of family, is what seems to draw these Spaniards back to their hometown many-a-weekend. While my roommates often stay in the city, I won’t pretend that they don’t go home to be with their family and friends in Baza more than I would have guessed for 24 and 29 years olds. Not to mention that, according to David (29), that’s still not enough in his mother’s eyes.


Rebeca, David and I out and about in Baza


The weekend before my big adventure to Berlin (queue next post), my roommates Rebeca and David invited me to their hometown of Baza. About an hour's drive outside of the city, Baza is a small town quietly situated in a valley of the Sierras distinguished by cave-homes, black handprints, and a strong sense of community. At this point, I suppose you’re wondering about the black handprints. You can find them on most of the buildings in the center of town; a constant reminder of the “Fiesta de Cascamorras,” a festival that takes place in Baza and the neighboring town (Guadix) every September. This is Spain we’re talking about, and that something as random as black handprints covering the city is the result of a festival shouldn’t come as a surprise.






A brief background of Cascamorras: In 1490, a worker from Guadix found a statue of Virgen de Piedad (Our Lady of Mercy) in Baza. Encouraged by Guadix, he unsuccessfully attempted to carry the sacred statue to his hometown. From the Guadix-Baza contention over the ownership of the Virgen arose the tradition of the Cascamorras. Every year, a person from Guadix is commissioned to run through the town of Baza in an attempt to “retrieve” the statue. If he takes the image without stain, which is to say without being covered in paint, he is allowed to take the image back to Guadix. So as to stop the Casscamorras from stealing the sacred Virgin, everyone in Baza covers themselves in black paint and tries to coat the Cascamorras in black handprints. The result: black handprints over everything and everyone, and what seems to me like an overall good time. Why cant towns in the States have such obscure traditions that beings everyone together, running around like crazy, painted people? Oh, the beauty of Spanish festivals.
Playing Foosball at a bar called "Feisbuuk"
around the small table in the living room, brasero by our feet and fire (“alumbre”) crackling at our backs. Chocolate, as prepared in Spain, is very, very rich. Rebeca and I both admit that we can’t even drink it- only use it to dunk our hot, crispy churros. And we were not lacking those. There was an entire bag-full, and after about two I was done for. But then Rebeca’s mom would chime in and I found myself with another churro sitting in my belly. Rebeca’s brother, JuanRa: “I can usually only eat about five, then I’m stuffed!” Well, I’d hope so, JuanRa.



As for to my weekend in Baza, no, I didn’t get to experience the Cascamorras festival first-hand (Get it? First-handPRINT). Unfortunately, it seems like all of the cool Spanish festivals are celebrated during the Summer months. However, Baza does have a sort of wine festival during in December, which I was able to experience. Just like every Spanish festival is usually based on a Saint or Catholic tradition, the wine festival coincides with the “Día de Santa Bárbara” to commemorate the conquest of Baza by the Reyes Católicos and expulsion of the Moors from the city.



I suppose what I’m trying to say is that the people of Baza found a reason to celebrate. The town plaza catered to the various citizens that made their home-brews (I’m obviously a beer lover- is wine even “brewed”?), and to those that came thirsty. There was also traditional Spanish dancing- however, as flamenco is about as far as my knowledge of Spanish dancing goes, I can’t say exactly what it was.



With Rebeca's friend Gema, her sister and brother at the wine festival


Rebeca, David and my taste test of the wines didn’t end there. They took me to a typical Spanish bar owned by a friend of David. White-washed walls, small windows, plain table-and-chair setup, and a huge fireplace with “careta” roasting on an open flame. What’s “careta” you might ask? Well, it was on the menu that night, and I was willing to try just about anything. It must be a living-in-a-foreign-country-thing. After a bit of the newly made wine poured from small clay pots (and some of the wine from last year- the good stuff courtesy of David’s friend), we delved into the “careta.” Pigs face, people. Pigs. Face.



And it tastes just like you’d expect. The cheek just sort of, explodes in your mouth. I wouldn’t call it meat, more like... crunchy fat. I’m cringing right now. Then there’s the ear. David (en español): “It’s my favorite part, it’s just like a chip!” Chip, hah! Cartilage is chewy, let’s leave it at that. After getting a few laughs from the expressions on my face of utter disgust (“¡qué asco!”), we ordered steak. Now there’s something I’m familiar with.


There were more than a few questionable things I ate that weekend. Blood sausage, something weird that was in my calamari (not the nice little circle calamari, either), and why does the fish have to have bones? Which leads me to Spanish mothers and food. Rebeca’s mother, who I now associate with all Spanish mothers (and I apologize for the generalization), was constantly at the ready to feed us. I suppose it’s not unlike Omi, come to think of it. But where the Spanish parts way with the German is the olive oil.



Rebeca’s mom: “How does your mother usually cook fish?”

Me: “Well, she usually cooks it in the oven... sometimes we grill it...”
Rebeca’s mom: “Better fried!” (and proceeds to pour all the fish, bones and all, into a fryer full of olive oil)

Yes, it is tasty... But oh, boy. The amount of fried food I ate. I was eating salad for a week to detox. As I recall, Sunday morning consisted of the Spanish classic: Churros con chocolate and the entire family and I huddled

I’ll leave you with Sunday’s lunch. A typical “Spanish” experience if I’d every had one. Every Sunday, Rebeca’s family goes to her abuela’s home for paella. I say home instead of house because, well, Rebeca’s abuela lives in a cave. Yes, una cueva. It’s actually rather typical in Baza and cave-homes outline the town. Although it wasn’t my first “cave” experience (I had been to a tetería- tea house- in a cave the night before), it was a sight to see.

Above: The cave-home, with white-washed walls and various little rooms, was not at all what I expected. No, it was a true “home,” and besides the walls not being straight had all of the same comforts of a house. The neat things about these cave homes is that the temperature is naturally regulated year-round no matter the temperature outside.

Rebeca’s grandmother sitting in a chair by the fire, her mother bent over the fire with an enormous paella pan filled to the brim, perched atop the flames. Oh, right, and in a cave no less.



So there I was: In a cave, sitting at the table with Rebeca’s family, eating paella.

Kate’s gone native.

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Filmosofía: Photography course.

"¿Qué es lo que hace a este conjunto algo singular y reconocible?"
-What every photographer should ask himself/herself (though, maybe not in Spanish)
It seems that there is not a direct translation in Spanish for, "I'm excited." You can say, "tengo (muchas) ganas de ir..." but that's not always as effective. Those online Spanish translators will use "emocionado" or "animado," but they all sound a bit strange when talking about a photography course. Whether or not I could express my excitement in Spanish, that didn't change the fact that I was very much looking forward to the intensive 16-hour photography class (8hr/day) that I took the other weekend at Filmosofía SLNE. My flatmate, Rebeca, recommended the class when I told her I was searching. She works at Filmosofía, a local company owned by a couple that offers photography and film-making classes. Rebeca herself gives classes on movie production.

Sixteen hours, all in Spanish, covering virtually all of the topics of basic digital photography. I'm sure you can guess that it was a lot of information crammed into one weekend. The history of photography, using your camera in the manual function, lighting, editing on the computer- the list goes on. I'll just touch on some of what I learned that really opened my eyes (that doesn't mean I'll be brief-- so if you're not a photo nerd, I'll try to give you another post to read shortly ;) ...
Zoom. Contrary to popular belief, a lens with zoom does not a better photo make. According to Rubén Serra, director of Filmosofía, and something I'd like to think is true; All of those people you see walking around nowadays with huge lenses- just about 100% of the time they don't know what they're doing. Professional photographers, unless they are capturing photos of animals or sports, do not use zoom lenses. In fact, using zoom does not only make the photo flatter (más plano), but also lessens the quality of the picture. Whereas with fixed lenses the light only has to travel through five lenses, light passes through twelve lenses twelve in a zoom óptica. You can't beat fixed lenses, say Rubén. 18mm for landscapes, 35mm for a full-body portrait, 85 for portraits and, a-la Cartier-Bresson, the star of the fixed lenses: the 50mm.

So I guess you can guess what I'm asking for for Christmas.

My days of using "Auto" are long gone. After a review on the aperture and shutter speed, I'm back in the game. Not only are my photos crisper and hardly ever over-exposed, but I feel so much more in charge of the photo I make... I mean, duh. But something I wasn't aware of was that Auto really does not work indoors and in direct sunlight. For these environments, along with harsh shadows and cloudy days, you have to change the settings for the white balance. Inside light will no longer be orange, and direct sunlight won't turn out blue. Hah!
Another setting I wasn't aware of- ISO. Set to 200 for night-time pictures to avoid grainy photos.

Speaking of using the camera in manual- often you can't make the shutter speed as fast as you want because the aperture won't open far enough. When it comes to the aperture on a lens, you get what you pay for. Most lenses don't go past 2, which allows for VERY little depth of field. Mine barely goes under 4. Still does the trick most of the time.
One thing I realized about this photo class is I suddenly have a very long, very expensive shopping list. On that list are filters and a tripod. I've always wondered how people can get the shutter speed to be low enough to take those photos of moving water in which the water looks smooth and flowing. You have to control the amount of light that enters the camera to achieve such a slow shutter speed in daylight. By using a shaded filter and a tripod, less light enters the camera allowing you to slow down the shutter speed and capture said photo. There are also polarized lenses when you don't want a reflection, or graded filters that shade the sky but not the ground (to avoid overexposure of the sky). Pretty neat stuff.

Composition. We quickly covered the topic (as with just about everything), and I realized that what I was doing without thinking is actually all part of the guidelines of photography composition.
Take for example, the rule of thirds. I knew positioning the subject in the center of a photo wasn't appealing to me, but I had forgotten about the rule that says you should place the most important elements of a photo along the lines (vertical or horizontal) that divide the picture in three parts each way.
Then there's the direction the eye moves along the photo, guiding the photographer in how to position the various elements. We read from left to right, so our eye tends to move first from the top left down to the bottom right. If you look at magazine ads, the majority of them place the product on the bottom righthand corner, in hopes of leaving a lasting impression.
The "interference" is usually placed in the bottom lefthand corner. Looking through my photos, I have a tendency to do this. In fact, the picture I took right before coming to class had an out-of-focus flower in that position as the "interference." But who knew there were guidelines saying to do the same thing?

I'll just list a few more rules I thought were interesting to take into account: The "ley de la mirada" says that the photographer should leave space in the direction that the subject is looking. The space above the subject's head should be treated as if he/she is wearing a halo-- leave the space open! I often forget this, then look back at my photo and realize the subject is wearing a tower of the Alhambra as a hat, for example.
Obviously, these are just guidelines; it's up to the photographer to break the "rules" and make the photo unique.

Lighting. In portrait photography, I won't forget this: "Cuanta más grande, más blanda" and "cuanto más pequeño, más dura." Translation: The bigger the light, the softer the shadow, and the smaller the light, the harsher the shadow. Think about it- the sun's light is a "small" light far up in the sky. The shadows created by the sun are very harsh and defined. If the photographer wants a softer shadow, he/she must make the light "bigger" using an umbrella, soft box, or simply bounce the light of the flash off the walls. When it comes to soft and hard light, it's not about the brightness of the light, it's about the size.
The integrated flash shouldn't be used as the key light. A "good" portrait always needs at least two forms of light: a key and fill light. If you use the integrated flash, you shouldn't be able to tell it's there-- for example, if the sun is directly behind the subject causing a harsh shadow over his/her face- you can use the integrated flash.
For whoever made it to the end of this post- Congratulations! Now you get to hear the teacher's criticisms of my work. We went to the Mirador de San Nicolás to test the lessons from class on the field. Our work was later judged in class. The main criticism that I really took to heart was that the area in focus always has to be greater than the area in focus, and there cannot be a "bandera" (flag) effect in the photo (first an area out focus, then out of focus, then out of focus again). I have a tendency to go a little overboard with playing with depth of field, and occasionally the area out of focus outweighs the focused area and isn't "visually appealing." That's right, the teacher said to me, "este no sirve para nada" (it's not worth anything- to the professional artistic community, that is) to a few of my photos. A pretty harsh criticism to take. That's not to say that I didn't defend my work-- I'm not one to think that just because it doesn't follow the rules, it's not worth anything. Either way, I'm making a conscious effort to work on that. Who knows, maybe that style will be "in" amongst the artistic community in the future, and I'll be the forerunner. Take that, Rubén. :)


PS-
When I made it home on Sunday night, I immediately bought a better photo editor- Aperture (Apple's photo-editing software). I can now take pictures in .RAW- much better quality than .JPG (I didn't know of the difference in quality, and now I'm scared for my previous photos if the day comes when I want to make prints!).

Interesting site for coming up with color combinations if you can control the colors in your photo: kuler.adobe.com. In order to evoke a sense of calm, use like colors. By contrast, complimentary colors evoke stress.

For more photos from my time at Filmosofía, visit my facebook page!
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